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In 2024, Indian movies continue on a predictable path. Mainstream theatrical releases are generally uninspiring, with only a few exceptions. Efforts to rejuvenate the traditional song-and-dance format are quickly losing ground, and OTT platforms are not faring much better, often rehashing the same content. On the popular front, the quality of cinema is declining, as studio-backed films show little progress, and independent films struggle to gain broader distribution.
However, as is often the case, independent cinema sometimes finds (or self-funds) the means to become available, and the filmmakers who translate their grand visions into these modest films rise as beacons of hope, warranting the passing of the reins to them. Hindi cinema has demonstrated a gradual yet steady enhancement in addressing ‘progressive’ themes within its major films, marking a significant advancement during an era dominated by subpar remakes. Concurrently, the Malayalam film industry is witnessing a surge towards mainstream recognition, with some of the most prominent and star-studded Malayalam movies achieving box office success while maintaining commendable narrative discipline.
It is always gratifying to witness talented Indian filmmakers create impactful cinema on modest budgets – films that are showcased at festivals worldwide, continually highlighting India’s cinematic presence. This year alone, several films from India were featured at Cannes, with Payal Kapadia earning the Grand Prix for her film “All We Imagine as Light.” Reflecting on the trend thus far, let’s explore some of the best, or perhaps the most fascinating, movies released in various languages in India this year:
Special Mention: Madgaon Express | Hindi
Kunal Khemu, who was a delight to watch in Rajesh Krishnan’s crime caper comedy “Lootcase” (2020), steps into the role of a writer-director with “Madgaon Express.” His debut is a heartwarming and humorous film that masterfully blends the gritty world of crime with the warmth of friendship rekindled despite time, technology, and distance barriers. The film’s modest yet engaging song-and-dance numbers, along with its humorous cameos and unexpected moments of levity, bring to life a quirky and endearing drama. A style of filmmaking that resonates with Hindi cinema-goers, it offers a nostalgic throwback. The genre it harkens back to seems to have been overlooked by the industry in recent times.
While the film flows with an easy charm, it’s not without its hiccups. Some scenes feel a bit too familiar and don’t quite hit the mark amidst the otherwise lively chaos. Avinash Tiwary, Divyendu Sharma, and Pratik Gandhi deliver standout performances that are impossible to ignore. Their powerful portrayals and strong screen presence elevate the film to new heights.
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Where to Watch:
15. LSD: Love, Sex Aur Dhokha 2 | Hindi
Continuing in the same vein as its predecessor, “LSD 2” indulges in its unique brand of psychedelic delights, opting for a dramatic flair rather than pure artistic expression, showcasing Dibakar Banerjee’s finesse as both a writer and a satirist. It confidently carves its niche as a spiritual successor. Where the original was pioneering, this sequel embodies the zeitgeist, captivating in its portrayal of the seamless fusion of digital existence and real-life experiences.
While it doesn’t always succeed in conveying its themes with full force, it consistently delivers a potent dose of entertainment, reflecting on our current like-share-download culture. It alarmingly reminds us with the writing that our collective silence on the more sinister aspects of social media has only allowed its influence to tighten.
Where to Watch:
14. Maharaja | Tamil
Boasting a star-studded ensemble, “Maharaja” initially unfolds as a grim, action-packed thriller echoing the well-trodden paths of Tamil commercial cinema. It employs a sense of ‘realism’ to navigate through its cinematic shortcomings. The film’s somber tone is relentless, yet it skilfully weaves in a mix of light and dark humor, along with genuine warmth and profound emotional depth, making the occasional clichés forgivable.
“Maharaja” excels in its commercial execution. The fight sequences are brutal yet compelling, transcending the usual masala film mold. The climax visuals are striking, aiming to evoke a deep response rather than mere shock. The narrative is heavily driven by its plot, but it is brought to life by the compelling performances of its cast. Vijay Sethupathi‘s expressive eyes are a canvas upon which a hundred stories unfold.
Where to Watch:
13. Do Aur Do Pyaar | Hindi
In her directorial debut, “Do aur Do Pyaar,” Shirsha Guha Thakurta makes a promising entry into feature filmmaking. The film is a thoughtful adaptation, elegantly mounted and carefully (re)constructed. It draws inspiration from Azazel Jacobs’ “The Lovers,” but it’s not simply a copy. Instead, it’s a cultural reinterpretation that’s been done with a mature touch and a masterful hand, giving a fresh perspective to the family dynamics in the story. The scenes that echo the original movie are laced with clever, understated humor. It’s delightful and perfectly fits the tone, avoiding an excessive rom-com flavor that’s usually a part of an urban Bollywood tale of marriage.
The movie does have its moments where the drama seems to stumble, and the love story between Nora and Anirudh might not hit the mark as it was meant to. However, the undeniable on-screen connection between Pratik Gandhi and Vidya Balan is magnetic. They bring to life characters who are navigating their own brokenness and journey toward healing, and this portrayal does more than enough to make up for any shortcomings in the narrative.
Where to Watch:
12. The Goat Life | Malayalam
In 2008, when Benyamin published his acclaimed Malayalam novel, his intent was to shed light on the stark realities faced by emigrants and their harsh working environments in the Gulf nations. The film adaptation, “The Goat Life,” directed by Blessy, expands upon this poignant true story, aiming to reach a wider audience. Although it doesn’t delve deeply into socio-political themes, the movie makes up for this by focusing on a central heroic figure whose journey is an unlikely crowd-puller, turning the narrative into a riveting saga of survival. The lead character, amidst the endless stretches of Rub al’ Khali—the largest continual sand desert on the planet—starts to reminisce about his humble origins and marital life, which now seem like a distant paradise.
“Aadujeevitham” does encounter some tonal shifts and perhaps places too much emphasis on its visual grandeur, which may not appeal to everyone. Nevertheless, the film’s depiction of survival as a reflection of the human spirit’s yearning for liberation, combined with its exploration of hope and faith, makes it a worthwhile watch.
Where to Watch:
11. Premalu | Malayalam
To my surprise, I found myself thoroughly enjoying “Premalu.” At first glance, the film seems to take a conventional route, aligning with the typical expectations of a light-hearted romantic comedy. To an extent, Director Gireesh A. D. follows a familiar formula, which isn’t my cup of tea. However, “Premalu” sets itself apart from other saccharine romances by infusing genuine emotional depth, especially in portraying the central couple’s bond. The journey toward the film’s climax might be a bit erratic and excessively dramatic. But it somehow works, primarily due to the heartfelt performances of the lead actors, who bring their characters to life with remarkable sincerity.
Furthermore, the film skilfully balances its trendy charm with a grounded sense of relatability, even as it explores the well-known landscape of Bollywood-style romance. It portrays love not just as a common thread of human connection but as a profoundly personal and individual experience. The film respects the integrity and individuality of its characters, presenting their love stories without glossing over the complexities and imperfections of real-life relationships.
Where to Watch:
Also Related to Indian Movies 2024: 35 Best Malayalam Movies of All Time
10. Laapataa Ladies | Hindi
Kiran Rao’s “Laapataa Ladies” emerges as a refreshingly sincere and straightforward Hindi film, a rarity in the current entertainment landscape. It’s a delightful rural tale set in the fictional Nirmal Pradesh of 2001, evoking nostalgic memories for those of us who recall visits to Uttar Pradesh and Bihar villages, enriched with authentically down-to-earth details. The film’s strength lies in its ability to marry intelligent dialogue with a heartwarming love story, making its educational message both entertaining and impactful.
This approach is not without its appeal, as it deftly weaves in feminist themes with a certain allure that can transport you to the DD days, even if you are not really from that era. Yet, there were times I yearned for scenes where the film’s modest and rural backdrop would take center stage, challenging norms much like the beloved series “Panchayat” did across its two seasons on Prime Video. In any case, “Laapataa Ladies” is a very colorful film, offering a fond nod to a time of simplicity.
Where to Watch:
9. Deep Fridge | Bengali
Shakun Batra’s “Gehraiyaan” stood out when it came as a Farhadi-esque Hindi adaptation of “Match Point,” offering a domestic noir take on the complexities of infidelity among Indian millennials. Despite its flaws in filmmaking and writing, the film was praised for its mature handling of such a delicate subject. On the other hand, “Abyakto” director Arjunn Dutta returns with “Deep Fridge,” a film that, while less sexually charged, delicately unravels marital discord with economical storytelling.
“Deep Fridge” follows an elite couple trapped in their former home on a stormy night, structured in a classic three-act narrative. Swarnava, an introspective Indian man with a quirky habit of sitting by open fridges, is compelled to revisit his past when he’s isolated with Ronja, his wife and former student, whose affair with him was once a public scandal. Meanwhile, Mili struggles with her feelings for Asif, a successful painter, as she grapples with the new dynamics of her relationship with Swarnava. The film’s predictability doesn’t detract from the intense exploration of the couple’s past, leading to sleepless conversations and anxious confrontations as they seek closure. In the process, what comes out is a well-formed relationship drama that is hopeful without being ornamental or derivative.
Where to Watch:
Unfortunately, we couldn’t find any streaming offers for Deep Fridge.
8. Aavesham | Malayalam
In his latest film following the success of “Romancham,” Jithu Madhavan offers another colorful portrayal of Malayali bachelors who find a sense of belonging in the bustling urban environment of Bangalore. “Aavesham” distinguishes itself as a dynamic action-comedy that delivers what fans crave. It features a well-crafted script that reveals Fahadh Faasil’s character—a whimsical gangster—as an intimidating and gentle paternal figure. His character’s anger and humor emerge at the most unexpected moments in the plot.
While the film occasionally indulges in over-the-top scenes and unpredictable campiness that may stray from the naturalistic charm of Madhavan’s first, a horror-comedy, it approaches its genre with fervent enthusiasm. The movie’s energetic commitment to transforming a talented actor into a classic masala film hero is quite remarkable.
Where to Watch:
7. Aattam | Malayalam
“Aattam” delves into the complex dynamics of power in the workplace and the superficial sense of entitlement that often accompanies gender politics within patriarchal structures. The film unfolds almost in real-time, presenting a gripping narrative that examines familiar figures such as a temple priest and a seasoned actor. Obsessed with their own importance, the male characters overlook the rationality and moral compass of the sole female member, blinded by materialistic pursuits. This tension mirrors the intense drama of Lumet’s “12 Angry Men.”
“Aattam” is notable for its nuanced performances that unfold layer by layer and a script that shines without being ostentatious. It cleverly reveals the flawed viewpoints of the male characters, thereby affirming the strength and complexity of its central female character. “Aattam” is an intelligent Malayalam film that rewards attentive viewing.
Where to Watch:
6. The Brittle Thread | Hindi
Living in Banaras and watching the film “Jhini Bini Chadariya” is an almost magical experience. Seeing the characters traverse the same ghats and narrow lanes, resting on the staircases and benches that are part of your everyday life, brings a deep sense of satisfaction. This feeling is heightened when the film’s direction skillfully pulls you into the characters’ exchanges about the kind of warmth that’s often absent in our daily routines. The movie poignantly explores the complex dynamics of a love that society deems unacceptable, set against the backdrop of a city that’s ever-evolving.
Director Ritesh Sharma’s small but impactful indie film takes a subtle yet informed approach to its storytelling. It doesn’t push too hard to convince the audience. Instead, it builds up its narrative quietly. The film portrays its characters as if they’re holding back their pain and struggles, maintaining a cheerful facade amidst everything happening around them. However, as the story progresses, their genuine emotions erupt in a powerful display of anger and sorrow, which feels entirely earned by the film’s climax.
Where to Watch:
Unfortunately, we couldn’t find any streaming offers for The Brittle Thread.
5. Kill | Hindi
Nikhil Nagesh Bhat is an astute writer known for his clever storytelling. In his latest film, he skillfully weaves a Bollywood-inspired love story with a straightforward dramatic buildup leading to a violent climax that occupies a relentless one-and-a-half hour. However, he smartly relegates this aspect to the background. What emerges is arguably the most intelligent and intense martial action thriller in Hindi cinema to date, complete with a mainstream appeal that fits perfectly.
“Kill” is a testament to powerful action cinema. It demands that viewers temporarily suspend their disbelief, but in return, it offers a deeply satisfying movie experience. The film’s narrative is so intimately connected to its setting that it creates a deeper, more resonant impact on the audience than any shallow story could hope to.
Where to Watch:
4. Merry Christmas | Hindi, Tamil
“Merry Christmas” stands out as a bloody good thriller. It offers a deep dive into the minds of both the police and the suspects while also clearly laying out the crime’s details and motives. Yet, at its core, Sriram Raghavan‘s creation is a profound love story. It’s a captivating journey through a silent, festive night, where two strangers share fleeting moments before igniting passion in the stillness around them. The film proudly showcases its romantic soul.
The film’s story is ignited by the electric chemistry between Vijay and Katrina as Albert and Maria. Their enigmatic on-screen personas captivate the audience. The gradual easing of tension between them as the story unfolds is nothing short of skillful storytelling.
Where to Watch:
3. Manjummel Boys | Malayalam
“Manjummel Boys,” a commercial ‘tour de force’ emerging from a regional film industry celebrated and known much better for its consistent critical success, stands as an exceptionally inviting and yet profoundly impactful milestone for commercial cinema in recent times. The film, directed by Chidambaram, revisits a distressing yet touching tale of survival from twenty years ago, making a bold and innovative choice in storytelling that goes beyond the power of its initial concept.
The film has a remarkable ability to connect with the people, expertly engaging their emotions by what I like to call button-pushing. While the breathtaking physical feats were awe-inspiring, the poignant exploration of friendship and human connection truly moved me to tears. The narrative doesn’t stop at the peak of its dramatic arc. It thoughtfully extends beyond, delving into the lingering trauma of the event and the cost of the enthralling heroics that have held our attention.
Where to Watch:
2. Anubhuti | No Spoken Language
Anirban Dutta’s film “Anubhuti” is like a gentle breeze carrying the sound of wind bells, creating a soothing experience that one wishes would last forever. This wordless romantic musical is brought to life with the poetry of an ancient poetess, weaving a story that captivates with its simplicity. The beauty of the film lies in its roots in Bengali ideas and Brajbhasha presentation, breaking through language to share the celestial yet earthy love story of Radha and Krishna and Meera Bai’s unwavering devotion to Krishna.
Enriched by references to Jayadeva’s lyrical masterpiece, Gita-Govinda, the narrative ingeniously incorporates Radha into the pantheon of Hindu deities while seamlessly blending the symbolic languages of Shakta and Vaishnava traditions. It delves deep into the intricate tapestry of love and divine longing, as experienced through the lens of Radha’s ardent devotion to Krishna.
Anubhuti’s depiction of love and longing is showcased in an ardent slow cinema fashion, focusing on the emotional and human aspects and leaving an indelible mark. Watching “Anubhuti” is like going on a pilgrimage alone with no companions, inviting a deep and introspective connection with the medium. Its performance art is not new, yet incisively different.
Where to Watch:
1. Amar Singh Chamkila | Hindi, Punjabi
The absence of a fiercely committed artist can cast a long shadow over the appreciation and influence of their oeuvre. While individuals and society have interpreted the meaning of their art, it’s often after the artist has passed that reflection turns to what the art represented for its creator. Through his detailed biography of “Amar Singh Chamkila,” also known as the ‘Elvis of Punjab’ from the late 20th century, Imtiaz Ali reinterprets his legacy in this light.
Ali captures Chamkila’s life, performances, and the controversies surrounding them as scenes vividly recalled by those closest to him. Interestingly, death is introduced at the beginning rather than the end, mirroring the unexpected nature of life itself. This portrayal is beautifully done, contributing to the tangible and emotional narrative of the biography.
